The NSW Food Authority asked Splash to design their stand for the Sydney Royal Easter Show 2013.  The task was to create communication pieces that leveraged the online “Food Poisoning” campaign we created in 2012.  The theme centred around food poisoning, and providing key tips to consumers regarding food safety. Our services for this particular task included giving guidance on the overall theme of the stand (look and feel), right down to the colours of the wall and the iPad holders.

Our design team created posters for key food safety tips as well as conceiving an exciting Facebook promotion to drive Facebook likes and engage the audience via social media. The promotion was called Key Tips Pix, with the prize being a Weber barbecue.

Splash is delighted to launch the new website for an ‘old’ firm that can trace its roots back to 1863. Pigotts sought a fresh dynamic website to favourably differentiate and promote itself in the legal marketplace, while reflecting its impressive 150 year foundations.
Splash provided sound strategy in helping promote the firm’s value proposition. The website informs and educates existing clients, as well as help attract new clients. The site is also an effective employer-branding tool, designed to help retain existing staff and attract potential staff.
The site is engineered to track viewers and capture leads. It is also search optimized to promote traffic to the site via SEO, Adwords, rich content, blogs, and social media.

The brief to Splash was to raise awareness and inform consumers on the causes, biology and mechanics of food poisoning, and implications for identifying the source, thereby dispelling some common myths (eg cause of illness is the last thing eaten out of home).
It was critical to position NSW Food Authority as experts in understanding, managing and responding to foodborne illness reports And they wanted to Splash to create a compelling, engaging video that stimulates sharing of the resource on social networks.
This viral piece takes the form of an animated video. This approach takes a linear journey starting with the source and causes of food poisoning, moving into the effects of poisoning and concluding with risk minimisation tips.
The style is animated stock motion using still imagery, giving us an opportunity to produce this video for a modest budget. We use customary icons that you would associate with food poisoning namely cutting boards, dinner plates and food itself. And it’s all tied together with a concept revolving around ‘carrots’, the customary item that people often confront when they vomit from food poisoning.

Splash was tasked with facilitating the merger of 2 prominent law firms in Canberra, Bradley Allen and Williams, Love, Nicol. Our assistance commenced with the brand strategy all the way through to a newly designed website.
The biggest challenge was acknowledging the individual brand attributes and values of the respective firms and building a brand that reflected not just the shared aspects of the two, but also the attributes of the merged entity.
The first challenge was a combined name that adequately respected each firm’s heritage. What ensued was a brand and logo identity process, print communications, online communications and a new website, that is simple and stylish.

Splash was behind the launch of the latest website for Parlour X, Sydney’s leading fashion boutique. The site involved meticulous planning and the execution visually reflects the premium positioning of the boutique that exclusively stocks many of France’s finest fashion labels. The user-friendly navigation and functionality enhances the shopping experience while Magento was the e-commerce platform chosen to build the back-end – the intention being to streamline item searches and optimize the purchasing process by making it as easy as possible to buy items online.

The team at Oldtimer Centre sought a new website that was simple and easy to navigate. In the world of second hand cars, buyers are seeking a site that shouts unpretentious credibility and the brief to the web design team at Splash was just that. This subsequent new website achieves this, as it positions the Oldtimer Centre brand as a trusted ‘old fashioned service provider’ – a second hand car dealership that caters for all budgets, because they believe that everybody is entitled to the best possible car within their means.

Jetset Travel Rose Bay sought a strategic marketing solution commencing with the launch of their new website. Splash is in the process of providing a broad marketing and advertising strategy encompassing email marketing, online advertising and Facebook engagement. In this highly competitive travel category, Jetset appreciates the need to take a considered marketing approach combining traditional and digital paths.

This print and TV campaign for our client Merial, saw us take an animated look at the problem of worms on cattle. The visual hyperbole dramatises what makes Eprinex the most powerful killer of parasites and worms. The TV and press is supported by in-store communications.

The challenge for Splash was to leverage  the overseas communications strategy for the Australian marketplace, and create animated characters in adversarial scenarios whereby the cow is consistently devising ways to inflict pain on the worm. As an advertising agency, it’s rare, yet thoroughly enjoyable, to have such creative license.

ANZ One Path sought a charming communications piece to inspire their conference attendees. This little number provided a wonderful trip down memory lane.
Bringing together all the iconic imagery from the 1950s to 2011, we dramatised the success of the Baby Boomer generation. Working with our screen partners Screentide, the use of still photography and motion graphics resulted in a stylish, affordable outcome.

Sir Walter, Australia’s Number One Buffalo Lawn, required a television campaign to launch their new 3 hour lawn conversion service. This nice little idea came to life thanks to some brilliant acting from celebrity landscape gardener Nigel Ruck and his trusted team of amateur actors. The team at Make A Splash worked with the production company Screentide.